DisBeamer wrote:I'm surprised there were no pressure sensitive mat things outside those cars ... Either that or the guys had good aim when they jumped out.
There was some mention of the utter lack of security systems behind the scenes, and that that was unusual. If I'd known that, I might have gone exploring myself.
And I agree that the redhead was way frickin' hot. No way would she settle for that Luke Skywalker wannabe. Does his sub have a pipe organ? I think not.
I've been listening to the Cam 3 track for an hour now.
The loop is too short, but I prefer the birds and the rumblings of approaching thunderstorms on Cam 2. Robots hate thunderstorms.
Comforting in an extremely depressing kind of a way.
The best thing about the site is that if you empty your head a little and think about things sideways, you can pretend that Horizons is still there, still entertaining guests...right this very second.
I've seen the exterior of Mission: Space, but I haven't stared at it long enough to let it really sink in that Horizons isn't there, so that makes things easier for me.
Another thing I've noticed is how all the music in the futuristic part fits together. It's the same tune, with different instruments and a different emphasis in each scene.
It's not quite as impressive as the way all the music flows together in the Mansion (where they had to do math to make the slow music and the fast music blend without making a hellacious noise), but it is still very cool, and a really nice detail Disney mastered in ye olden tymes.
On the surface there is hunger and fear. Men still exercise unjust laws. They fight, tear one another to pieces. A mere few feet beneath the waves their reign ceases, their evil drowns. Here on the ocean floor is the only independence.